With an eye for things that connect people I curate and organize collections to make their value accessible for perception, conversion and posterity.
Currently, I am excited to offer advice and results in the form of exhibitions, publications and experiences via SOLO•SOLO a bureau I founded with Art Director Helene Dalgaard.
Concurrently, I am dedicated to my appointment as Chair of the Danish Arts Foundation's Committee for Craft and Design and to writing about jewellery stories.
Wearing Josephine Winther’s Rubyfruits (2003) with synthetic rubies and 18-carat red gold from the Danish Arts Foundation’s Jewellery Collection.
Photo by Palle Peter Skov, courtesy of Museum Kolding.
I have a MA degree in the History of Ideas, Art History and Journalism, combined with essential tools from training in project management and fundraising. I get work done through my ability to create concepts that translate into spaces, conversations, written words and art experiences in collaboration with other creatives.
The opening of The Biennale for Craft & Design 4 June 2021.
Jewellery on loan from The Danish Arts Foundation’s Jewellery Collection. Photo by Maria Tuxen Hedegaard, courtesy of Danish Craft & Design and Museum Kolding.
Curating
Things talk. I like to listen and use things to start conversations about the most pressing questions. Like: What does power look like? How can things work as means of human connection and sustainable development? Is a brooch a private or public matter?
Writing
I connect art works, artists and audiences with words in articles, books and lectures. On Instagram and Facebook I love to connect and share behind the scenes reflections on my work.
Collaborating
Collaboration is at the heart of everything I do. I have the priviledge of working with inspiring professionals, artists, writers, jewellers, researchers, makers and thinkers, some of them you can meet in the news page.